Photo by James Hodges Shattered Wig Review(What Weekly)http://www.whatweekly.com/2010/12/15/shattered-wig-review/ Rupert Wondolowski Frequently, literary performances are confined to coffee shops, libraries or the odd gallery so it’s refreshing to see an event where the words were given a stage and an interesting venue in which to breath. Last Friday the 14 Karat Cabaret hosted the release party for one of Baltimore’s best literary magazines, The Shattered Wig Review. The event was hosted by the publication’s editor, Rupert Wondolowski. Photo by James Hodges, story by Dylan Kinnett. |
Photo by James Hodges Ryan Walker featured in the current issue of Shattered Wig Review. Shattered Wig has been around for a remarkably long time, judging from its issue number, 28, and the editorial, which alludes to a recent two year hiatus. As it turns out, the publication has been in print for 22 years. That’s an impressive run for an independent venture of any sort. Photo by James Hodges, story by Dylan Kinnett. |
Photo by James Hodges Becky Hunter - “I like the venue. I come to whatever I can, here.” The evening continued with a reading by Ryan Walker, whose untitled poetry is published in the new issue. He commanded the audience’s rapt attention with his playful series of stream-of-consciousness observations. Photo by James Hodges, story by Dylan Kinnett. |
Photo by James Hodges Chris Toll In the latest issue of Shattered Wig Review author Chris Toll describes a magical encounter between Edgar Allen Poe and Emily Dickinson, involving a time machine. Exploring this notion, by itself, is worth the price of admission. Photo by James Hodges, story by Dylan Kinnett. |
Photo by James Hodges Justin Miller There’s something uniquely independent about this publication. In an age when computerized desktop publishing has yet to reach the legal drinking age, the Shattered Wig Review holds true to a print sensibility that is rapidly fading. Its pages look and feel like those of a good ol’ zine, the kind we loved before blogs, with staples on the spine and strange drawings in the margins. Photo by James Hodges, story by Dylan Kinnett. |
Photo by James Hodges Ed Foster of The Baltimore String Felons. It wasn’t all words at the 14 Karat Cabaret during this event. The music began with a performance by former members of the band, Madagascar. The new band, called Nests took their current project out for a test drive for this, their first ever performance. The lineup retains much of the minimalist qualities of the original band though the new sound has more in common with contemporary ambient electronic music. The evening concluded with musical a set by The Baltimore String Felons. The Felon Family are a unique group of contemporary folk musicians who are making a strong case for music made with hand tools. Photo by James Hodges, story by Dylan Kinnett. |
Photo by James Hodges Geffery Sof’ Serve of The Baltimore String Felons. Don’t let the DIY look of the publication mislead you. Here, you’ll find sophisticated literature, with allusions to the visual poets, surrealist, automatic writing and stunning poetic lines like Stephanie Barber’s “one conducts electricity or symphonies, big bands or / trains or themselves with restraint.” There is plenty of worthwhile reading material in here all for only six dollars. Photo by James Hodges, story by Dylan Kinnett. |
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